NEW YORK NEW YORK – Egregiously wide today. I was out and about with my Carl Zeiss 15mm lens which is really wide and a handful to handle. The lens requires great pains to shoot level to avoid radically weird vertical ones. This means that there is a lot of foreground which one handles by cropping to square. Just think of this as a square format lens.
Day 1,783 of one picture every day for the rest of my life.
NEW YORK NEW YORK – As you have seen if you’ve been following these pages my 50mm Dual Range Summicron has become my best friend – it mates wonderfully with the MM. It’s the iconic Walter Mandler design that defined the Leica look for a generation. Surprisingly more than 50 years later it stands up to the demands of digital resolution. So I asked myself which 35mm lens is most like the 50mm DR Summicron? I spent a bit of time with Irwin Puts’ Leica Compendium, an essential tool for anyone who fancies him/herself a Leica nut. The long-running 35mm Summicron Asph has very similar MTF curves and narrative but based on personal experience supresses flair better than the DR. I’ve owned this lens but sold it when I got my first 35mm Lux. So . . . I found a nice looking sample on ebay and bought it. First sample below, which is a flair and contrast torture test.