NEW YORK, NEW YORK – At a book party for a friend’s illustrated book of poetry.
Tuesday October 5, 2010
NEW YORK, NEW YORK – I.M. Pei’s Lipstick Building.
Monday October 4, 2010
NEW YORK, NEW YORK – A dreary morning for weather. I decided to use the opportunity to reorganize our kitchen, which is where I spend most of my time when I’m not at the office or looking for interesting light. Leica M9 and Wide Angle Tri Elmar.
Sunday October 3, 2010
SOUTH BRITAIN, CONNECTICUT – This is the Methodist Church in South Britain, Connecticut. The center of this village has been designated a historic site, which may explain why this derelict structure hasn’t been torn down.
Hasselblad H3D-39 and HC 35-90 lens.
Saturday October 2, 2010
NEW MILFORD CONNECTICUT – This is the First Congregational Church in New Milford. It was founded in 1716; construction on the first meeting house was started in 1719 and was finished in 1731 (construction delays were evidently as common then as they are now); Construction of the present building commenced in 1831, and was completed in 1833. The lovely Greek revival facade was typical of the era. Taken with a Hasselblad H3d-39 and a 35-90mm zoom lens.
Friday October 1, 2010
NEW YORK, NEW YORK – New York was sideswiped by a tropical storm today – I spent the day dodging rain. I caught this image of the Guggenheim Museum with my 16mm Hologon. I’ve been stalking the Guggenheim for some time, and have shot from this angle in the past, but not with this lens and in this light.
Thursday September 30, 2010
NEW YORK, NEW YORK – Feeling a bid dull today so I did a radical equipment change: I put a 16 mm Karl Zeiss Hologon on my Leica M9 and took it with me as I went about my daily business. This is an odd lens. It was not made for Leica so someone made a custom mount for it. It really isn’t suitable for digital because its exit pupil is too close the the sensor, creating all sorts of problems, primarily vignetting and truly weird color shifts. The later problem means that its use is limited to black and what. It’s pluses are that its depth of field is from real close to infinity – so you don’t have to focus. Because its very, very wide most people just point it without looking through the camera – you pretty much get everything you see. This is a rare enough lens that I’m pretty sure that I’m the only photographer walking around New York with a Holigon attached to a Leica.
Anyway, here we are on the Lexington Avenue subway this afternoon.
