NEW YORK NEW YORK – Walking on Park Avenue with my Leica (and 90mm lens) I caught Lever House and the Racquet Club in spectacular light. Two frames stitched.
On this day last year: An angle on the Seagrams Building in lovely light.
NEW YORK, NEW YORK – Back to an especially busy time in my day job. I caught this on the way to a morning meeting with my Leica M9 and a 28mm Summicron lens. For some reason good things just seem to happen to me if I hang around Lever House.
On this day last year: A not very interesting shot at the side of a building.
NEW YORK NEW YORK – Weird. You take a month’s break from visiting a place, you come back, and it’s entirely changed. Tom Sachs’s sculpture, Hello Kitty, has been in the courtyard of Lever House for longer than I’ve been photographing for this blog. Now it’s gone, so it’s “bye bye Hollo Kitty”. Here are some links to some earlier Hello Kitty photographs: July 6, 2010, May 11, 2010, April 20, 2010, and March 19, 2010
I guess I really like Hello Kitty. The little gold doodad that replaced Hello Kitty appears to be a part of a much larger installation by Rachel Feinstein entitled “The Snow Queen”. Photographed with my Leica M9 and a 28mm Summicron lens.
On this day last year: an infrared image including the Racquet and Tennis Club, the Seagrams Building and One Park Avenue Plaza.
NEW YORK, NEW YORK – Another day of meeting complicated by an early evening departure for London. My best shot at getting a daily images is in the early morning. I went by Lever House to take another look at the Mike Bidlo sculpture show. See this link for my Sept 1 photo Turns out the the sculpture has been packed up – the show has been taken down, with only the descriptive placard left behind. This becomes a very deep conceptual work: Mike Bidlo appropriating Andy Warhol’s Brillo boxes, but without the Brillo boxes.
Leica M9 with 90mm Elmarit lens.
NEW YORK, NEW YORK – On my way to some meetings I stopped at one of my favorite spots in New York, Lever House, which has a varying selection of provocative art. Lever House had a new installation of the work of Mike Bidlo, a conceptual artist who “appropriates” the work of other artists, in this case Andy Warhol’s 1984 work “Brillo Boxes”. Bidlo calls this work “Not Warhol”.
What follows is not a photograph. It’s a piece of conceptual art that I’m calling “Neither Bidlo Nor Warhol”.
NEW YORK, NEW YORK – A truly beastly day. We’re suffering under a record heat wave in the Northeast. I sought refuge in the shade of the plaza of Lever House and shot passers by against the backdrop of Hello Kitty. Not a good day to be outdoors.
Leica M9 with 28mm Summicon lens.
NEW YORK, NEW YORK – My meetings are at Park Avenue and 53rd Street so I managed to commune with my old friend Hello Kitty for a few minutes. You will remember from previous posts that Hello Kitty is Tom Sach’s statue in the sculpture garden at Lever House. See March 19 blog entry and April 20 blog entry. There may be enough going on at Lever House to make a project out of it.
