Categories
Landscape Urban

Thursday November 21, 2013

NEW YORK NEW YORK – I got up early and walked down Park Avenue — my morning commute — to a day of meetings. I got sunrise out our window with a Leica M and 280mm lens (which is fussy to use because focus is critical and it demands good tripod technique), more sunrise on Park Avenue with my Leica Monochrom, and a grid within a grid out the window of a conference room later in the day with my iPhone. I’ve posted them in reverse order because I like the grid image best.

Cells
Cells
Grazing light
Grazing light
Sunrise
Sunrise

On this day last year: The Grenadines.

Shadow
Shadow
Categories
Landscape Urban

Wednesday November 20, 2013

NEW YORK NEW YORK – A clear beautiful day. My kind of day to get out and find some light and shadows, but I’m house-bound because of professional commitments. I took an hour’s break with a telephoto lens out my window. I don’t often shoot with long lenses. This is a 280mm Leica lens made for the Leica R but used on my Leica M with an adapter. The M lets you focus through the lens with an electronic viewfinder but this lens is very demanding in terms of focus accuracy and good tipod technique. Here’s a sample.

20131120-L1002145

On this day one year ago: Mustique rocks.

Rocks
Rocks
Categories
Landscape Urban

Tuesday November 19, 2013

NEW YORK NEW YORK – On foot on Park Avenue today with my Leica Monochrom and Luxocron lens. Pretty typical stuff, but not bad.

Park Avenue
Park Avenue
Seagram Building Plaza
Seagram Building Plaza

On this day one year ago: At Basil’s bar.

Bill
Bill
Categories
Landscape Urban

Monday November 18, 2013

NEW YORK NEW YORK – One characteristic of Leica shooters is that we are likely to have multiple versions of the 50mm standard focal length lens. In my case I’ve lost count – six or seven – with the oldest dating to the mid-1930s and the newest being the f2.0 Summicron Asph. which is backordered and difficult to find. Today I’m shooting with a 1958 dual range Summicron which I have had modified for use on digital Leica M cameras. This is the classic Leica lens. Here’s what it’s images looks like:

20131118-L1013670

On this day last year: Mustique.

Maria swims some laps
Maria swims some laps
Categories
Landscape

Sunday November 17, 2013

WARREN CONNECTICUT – A rainy day. I guess this is what we’ve been saving for. Out with my Monochrom and 18mm lens catching rain and fog with a wide lens. Visually it’s hard to make headway against the sameness of days like this. Here are three tries:

Fog
Fog
barn
barn
tree line
tree line

On this day one year ago: Maria in repose.

Maria in repose
Maria in repose
Categories
Abstract Landscape Urban

Saturday November 16, 2013

NEW YORK NEW YORK – More with the 18mm lens. I’ve decided to shoot straight up for a week. I mean really straight up – using a spirit level in the camera’s accessory shoe to orient it. Here’s one in our courtyard, again with the Leica Monochrom and 18mm Super-Elmar Asph.

Look up
Look up

On this day last year: James Beard Gala.

Kitchen at the Four Seasons Restaurant
Kitchen at the Four Seasons Restaurant
Categories
Landscape Urban

Friday November 15, 2013

NEW YORK NEW YORK – I’ve been a bit dull in the past few days. The baby Sony is convenient but it lacks charisma and just doesn’t move me. In a project like this (one photograph a day for the rest of my life) a switch in approach can help break out of the doldrums, so I switched back to my Leica Monochrom, this time with a very wide lens, the marvelous Leica 18mm Super-Elmar Asph. I’m using it with a level in the accessory shoe (to help avoid weird wide-angle distortions) instead of a viewfinder. Shooting with the lens I can point in a general direction and just assume that it gets everything. I like shooting wide. Sometimes I worry that it’s a gimmick but this really has helped me to get out of a rut and back into my groove.

Trash bin
Trash bin
1185 Park
1185 Park

On this day last year: An abstraction in our offices. I took this last year with my Monochrom and a Dual Range Summichron lens from 1958. Of course I’m reminded of what a charming lens this is. I may turn to it next.

Picture
Picture
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