NEW YORK NEW YORK – Tax day. This is ordinarily a pretty grim day. “The ides of April?” But today was actually visually interesting. A trip to our daughter’s office provided a new angle on the local cityscape; a new lens provided a fairly energetic rainy cityscape out my window, and I got some decent images of our granddaughter.
Day 1,643 of one photo every day for the rest of my life.
On this day one year ago (day 1,278): Building. Obscured by a tree.
NEW YORK NEW YORK – An image on the way to our parking garage, and then another leaving town for Connecticut.
Day 1,638 of one photo every day for the rest of my life.
On this day two years ago (day 909): Basketball.
NEW YORK NEW YORK – Here’s an image of the courtyard in our building in mottled light.
Day 1,638 of one picture every day for the rest of my life.
On this day one year ago (day 1,273): Treasury. I posted this image in color last year. In subsequent edits I decided that I preferred the black and white version below.
NEW YORK NEW YORK – A day of getting very close with my iPhone – which does well as a macro camera. Today I shot light sources around the house. The stripes on the wall of the square one are an artifact of a 60 cycle flicker of the LED light source. This was a “make something out of nothing” day.
On this day last year: Mustique.
NEW YORK NEW YORK – More with the 18mm lens. I’ve decided to shoot straight up for a week. I mean really straight up – using a spirit level in the camera’s accessory shoe to orient it. Here’s one in our courtyard, again with the Leica Monochrom and 18mm Super-Elmar Asph.
On this day last year: James Beard Gala.
NEW YORK NEW YORK – I’ve been a bit dull in the past few days. The baby Sony is convenient but it lacks charisma and just doesn’t move me. In a project like this (one photograph a day for the rest of my life) a switch in approach can help break out of the doldrums, so I switched back to my Leica Monochrom, this time with a very wide lens, the marvelous Leica 18mm Super-Elmar Asph. I’m using it with a level in the accessory shoe (to help avoid weird wide-angle distortions) instead of a viewfinder. Shooting with the lens I can point in a general direction and just assume that it gets everything. I like shooting wide. Sometimes I worry that it’s a gimmick but this really has helped me to get out of a rut and back into my groove.
On this day last year: An abstraction in our offices. I took this last year with my Monochrom and a Dual Range Summichron lens from 1958. Of course I’m reminded of what a charming lens this is. I may turn to it next.
NEW YORK NEW YORK – A corner of our kitchen here shot with my baby Sony. A quick and casual grab to keep the string alive.
On this day one year ago: Super dull.
