NEW YORK NEW YORK – Now we’re beginning to understand the Nex-7 a little better, and beginning to rock and roll. Here we are on Lexington Avenue in the 50s with a fairly typical take for me on Citicorp Center. Taken with the Nex-7 and the Sony Zeiss 24mm lens.
On this day last year: Time Warner
NEW YORK NEW YORK – Well here we are on Groundhog Day. I had an early evening meeting in midtown just off of Fifth Avenue so I took the opportunity to walk over to Radio City Music Hall to capture this with my Sony Nex-7 camera and a Sony Zeiss 24mm lens.
On this day one year ago: /study date.
NEW YORK, NEW YORK – Met my daughter for breakfast on the West Side. Caught this view of The Majestic as I walked back through the park to my office. Captured with my Sony Nex-7 and my Leica 24mm Summilux lens. The cool thing about having 24 mess of resolution is that when you do extreme perspective corrections in Lightroom or Photoshop there is still enough resolute to print the image large (it took an extreme perspective correction to fix the converging vertical lines on this one – something that I had planned when I captured the image).
On this day one year ago: This is not a good portrait of a friend. Really. But some of the goofballs who follow this blog rated it four stars. Go figure.
WARREN CONNECTICUT – I had a chance to try out my new Sony Nex-7 camera. This is a very compact body offering 24 megs of resolution with a sensor that’s about 2/3 the size of a 35mm frame. The crop factor is 1.5x – in other words a 24mm lens becomes the equivalent of a 36mm. It’s possible to use my Leica lenses on the camera (with an adapter). Here’s an image with the Nex-7 and my 90mm Leica Elmarit lens.
On this day one year ago: a friend on Macaroni Beach.
I edited this post on February 8, 2012.
NEWARK NEW JERSEY – I landed here on my return flight from Naples. This gave me a chance to drop by the airport customs office and complete the Global Entry process, which should speed going through customs and immigration on my return from foreign travel. There was very nice light for the ride on the monorail that connects the terminals at Newark. Taken with my iPhone, not the world’s best tool to shoot landscape with very high contrast lighting.
On this day one year ago: Macaroni Beach.
NAPLES FLORIDA – Another walk on the beach at sunset with my Panasonic. There’s a stretch of beach here where thousands of gulls gather to watch the sunset, along with the local residents, who bring out chairs to sit on as they literally watch the sunset. As the last rays of the sun fade they (the people) break out into applause. Really. The experience of being surrounded by a very large number of birds was pure Hitchcock. Here’s an image:
And another sunset.
On this day one year ago: Mustique rainbow.
NAPLES FLORIDA – Day two of the conference. There is a little more daylight in the schedule today so I’m carrying my Alpa TC and a 35mm Schneider lens. Toward the evening I found myself on the beach with the Alpa. Did I say that it’s hard to find an interesting photograph on the beach. Well yes and no. True. But – – – In the few minutes of the “golden hour”, which is usually not an hour – more like 20 minutes, it really doesn’t matter what you point your camera at. When the light arrives, stop what you’re doing and shoot whatever is at hand. Even a beach. I have to relearn this periodically. In landscape light is more important than landscape. Anyway here is the golden hour light etching the beach in Naples.
Earlier in the day I spotted a familiar looking steeple and indeed it was the local United Church of Christ (in round terms the Congregational Churches outside of New England), a sure sign that Naples has been colonized by New Englanders.
On this day last year: rainbow in Mustique.
