Tuesday October 25, 2011

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NNEW YORK NEW YORK – So I’m using my Alpa and a 35mm Schneider as my walk-around camera. This only works on sunny days – I’m a sunny day kind of guy so I prefer these anyway. Here’s in image from Madison Avenue and 55th Street

Good light

Good light

Here’s the next in my series of 24 self portraits taken in 1999. This is from 12:58 AM on February 14, 1999. I slept on a cot in my studio, setting an alarm to wake my hourly for a picture. I clearly haven’t been to sleep on yet because I still look fairly well put together.

12:58 AM February 14, 1999

12:58 AM February 14, 1999


Wednesday October 19, 2011

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NEW YORK NEW YORK – I explored downtown with my Leica after some meetings today. Here’s the Old Equitable Building, Thames Street, a block from the Occupy Wall Street protests. Taken with my Leica M9 and 90mm lens. Four frames stitched.

Old Equitable Building, Thames St.

Old Equitable Building, Thames St.

Here’s my self portrait from 7:03 PM on February 13, 1999:


Friday September 9, 2011

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NEW YORK NEW YORK – I took my Leica to the office today and captured Ray Bari Pizza in pretty good light. In the late afternoon I was back uptown with my Alpa, a 47mm Schneider XL lens, experimenting with a center filter on the lens. A Center filter is a glass filter that’s darker in the middle – it compensates for the natural light fall-off that wide lenses have, but requires increased exposure. I found that the necessary 2 stop increase in exposure made the Alpa much harder to hand hold so when I need the center filter I also need a tripod.

Master Tutor and Homework Coach

Master Tutor and Homework Coach

Ray Bari Pizza

Ray Bari Pizza

On this day last year: Second Avenue Subway construction.

Second Avenue Subway


Thursday September 8, 2011

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NEW YORK, NEW YORK – I have breakfast once a month with a small group of college classmates to talk about things. We’ve been doing this for seven years now, and find it very helpful in dealing with the various stuff that life throws at us. This was with my Leica M9 and a 28mm Summicron.

Tom and Andy

Tom and Andy

On this day one year ago: The Central Park Conservatory Garden.


Wednesday September 7, 2011

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NEW YORK NEW YORK – More rain. Really. A lot of rain. I walked around with my Leica and a 90mm lens looking for rain themes. The Leica isn’t billed as being “weatherproof” but it does tolerate the rain, especially if you sheild it with a coat or your body when you’re not shooting. A couple of examples:

Rain

Rain

Exit

Exit

On this day last year: Andy Berkman.

Andy


Tuesday September 6, 2011

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NEW YORK, NEW YORK – I dropped by the Matthew Marks Gallery to catch up with a show on landscape called La Carte d’aprês Nature. It caught my attention because it included a dozen or so images by Luigi Ghirri, who we collect. Interesting show. I was there with my Leica M9 and 28mm Summicron lens.

Matthew Marks Gallery

Matthew Marks Gallery

From the street walking back from the gallery.

West 22nd Street

West 22nd Street

On this day one year ago: New Milford Connecticut. I said that this is a crap town a year ago and I’m sticking with my story.

Rugs & Carpets Simmons Bedding Fine Furniture


Tuesday August 30, 2011

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NEW YORK NEW YORK – I walked around the Village this afternoon with my Alpa TC. There was wonderful Edward Hopper light – just enough haze to open up the shadows – the IQ 180 back’s color rendering actually got the light right. Here are a couple of examples:

August 29, 2011

The Village

August 29, 2011

Woody does Edward Hopper

On this day last year: Travel day. Yuck.

Out of Africa


Wednesday August 24, 2011

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NEW YORK NEW YORK – I took my Alpa Max and a light tripod to Central Park to shoot with my Schneider 120mm lens. The Max and the !20 were a delight to use. On reviewing the results the light tripod was a disappointment – in the future I’m going to need to use a serious tripod with this lens. I’m fighting a battle with myself to avoid an overly composed look when working on a tripod, and generally loosing. Here’s an example:

Belvedere Castle

Belvedere Castle

On this day one year ago: Sunset on the Maasai Mara. I actually just posted this – I had taken the picture but hadn’t posted it in the confusion of pulling the Africa materials together.

Sunset

Sunset


Monday August 22, 2011

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NEW YORK, NEW YORK – I walked to the office today with my Alpa and the 72mm Schneider Digitar. I’m experimenting to see if it’s possible to hand hold the camera with this lens. (Longer lenses are more demanding in terms of camera movement than shorter lenses.) The light was just ok. There’s a no name spec building at the Northwest corner of 57th street and Lexington Avenue. I played around with the plaza in front of it, and finally realized that the shot for the day was looking straight up. You’ll see that the framing would have been better if I had included the full circle on the sides of the frame. The Alpa finder is kind of approximate – based in this fairly disappointing experience I’ll be trying some of my Leica finders on the Alpa to see if I can get more accurate results.

Anyway . . .

Look up!

Look up!

On this day one year ago: Maasai village.

Maasai boys


Wednesday August 17, 2011

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NEW YORK NEW YORK – So what’s so technical about a “technical camera”. Here’s a link to last week’s post on my Alpa TC but it just looks unwieldy and it lacks a lot of things (autos focus and automatic exposure) that we take for granted on a pocket point and shoot.

First, what’s so technical about these things? Well last week’s Alpa TC is actually the little brother of the Alpa Max, a camera that permits the back and lens to be shifted relative to each other, and permits the lens to be titled relative to the plane of the sensor with longer focal length lenses. The ability to shift the lens upward to look up while keeping the camera level permits great flexibility in composition while keeping vertical lines properly parallel (if you tilt the camera up they appear to converge). Of course once you move into shifts you are committed to working on a tripod. In my setup composition is done through live view on the IQ 180′s lcd panel (live view is common in consumer cameras but for technical reasons is hard to implement in medium format digital backs). Working with the Alpa Max is fully the digital equivalent of working with a view camera and 4 x 5 film (the debate on the “quality” of film vs. digital ended a long time ago – on a resolution basis the IQ 180 is fully comparable to r=legacy 8 x 10 film, but the look is different).

Here’s the Max with the lens shifted upward relative to the back:

Alpa Max

Alpa Max

Alpa Max

Alpa Max

This setup (the tripod and the need to fiddle with a complex camera) forces one to work slowly. It leads to consciously “composed” work. Some of my best work is actually shot off-hand and intuitively. The challenge for me in working with a large camera is to keep the images interesting (getting them to be perfect is not that hard). The following capture with the Max has the character of thousands of other images captured with similar equipment. This bothers me a bit, but I suppose it shouldn’t – it’s really no different that the millions of “mom and pop at the beach” snapshots that all look the same except for who mom and pop are.

Central Park

Central Park

I’ve included a grayscale conversion of this image that further emphasizes how this method of capturing images nudges you in the direction of traditional landscape.

Central Park

Central Park

On this day last year: A travel day. A travel day last year, on our way to Nairobi and a date with some wildlife.

John and Nancy Novogrod


Sunday August 14, 2011

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NEW YORK, NEW YORK – It poured rain all day. Given the weather we had decided to stay in New York for the weekend. I didn’t get out except to walk the dog. There was no one on the streets of Cargegie Hill, our neighborhood. What do you do on a rainy Sunday? Well I spent the better part of the day updating my website with a slightly new look and much better and more flexible software.

I took my Leica out while walking the dog. The camera is a 1954 design and weather sealed cameras weren’t in the picture then (modern high end designs from Nikon and Canon are completely weather proof – I’ve taken them into the shower to clean them off after they were splashed with ocean spray). But the machining tolerances on the Leica are very tight so it’s sort of weather resistant, but you have to use common sense.

A shot a bunch of rainswept streets and a few pedestrians with umbrellas. The best of a fairly poor lot was of the Synod of the Russian Orthodox Church Outside of Russia. Here’w what I said about it on November 24, 2010:

This building was originally built as a residence for George F. Baker Jr. by Delano & Aldrich, the firm that became the ‘society architects” in New York after Stanford White’s murder in 1906. The Russian Orthodox Church Outside of Russia is a splinter of the Russian Orthodox Church formed after the Bolshevik Revolution – it is now reconciled with the main body of the Russian Church.

Taken with my Leica M9 and a 50mm Summilux lens. Two frames stitched in Photoshop.

Rainy day

Rainy day

On this day one year ago: Water skiing on Lake Waramaug.

Lake Waramaug


Saturday August 13, 2011

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NEW YORK, NEW YORK – Alexander’s fiance had her wedding shower today, so he and his future father in law and I went to lunch together. We went to The Red Rooster, Marcus Samuelsson’s restaurant in Harlem. Here’s what The Red Rooster’s website says about itself:

We named our restaurant after the legendary Harlem speakeasy that was located at 138th Street and 7th Avenue, where neighborhood folk, jazz greats, authors, politicians and some of the most noteworthy figures of the 20th Century – such as Adam Clayton Powell Jr., Nat King Cole and James Baldwin – would converge . . .

After lunch we walked down Lenox Avenue to Central Park, me carrying my Alpa TC, Phase One IQ 180 back and a 47mm Schneider XL lens.

This is not 1975:

Black Muslims on Lenox Avenue

Black Muslims on Lenox Avenue

Grandma's Place

Grandma's Place

The Blood of Jesus

The Blood of Jesus

The self-same Lenox Lounge referred to on the Red Rooster’s site. Note the patched bullet holes in the facade.

Lenox Lounge

Lenox Lounge

And finally, a Mostly Mozart concert in Avery Fisher Hall. Take with my Blackberry.

Mostly Mozart

Mostly Mozart

On this day one year ago: A boring out my window. The photo-a-day guy was under real pressure here.

Out my window


Thursday August 11, 2011

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NEW YORK, NEW YORK – I took a walk in the Union Square area with my Alpa and the 35mm Schneider. Partly cloudy, but occasional burst of fine light. this is made from two images captured, hand held, and stitched in Photoshop. Remember that I’m shooting with an 80 meg back so the resulting file is very large. Stitching with this very wide lens results in a highly distorted image, which I corrected in Photoshop – a process that involved significant hard labor.

Union Square

Union Square

In the evening Alexander and his fiance, Laura, came over for headshot for their wedding announcement in the New York Times. This is the one that the liked – taken with my Panasonic GH2 and on camera flash.

Laura and Alexander

Laura and Alexander

On this day one year ago: Elio’s.

Elio's


Wednesday August 10, 2011

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NEW YORK, NEW YORK – I explored the UN area with my Alpa TC today. Poorish light – intermittent high clouds and a very bright sky. Some of the better ideas I had were in the deep shade in Stuyvestant Town, but the images are poor – the TC simply needs a lot of light or a tripod. Anyway this is the best thing to come out of the day:

Trump

Trump

On this day last year: Sao Paulo.

From the Emiliano


Thursday August 4, 2011

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NEW YORK, NEW YORK – A long day in the office. I caught this out the window in a moment of lovely light with my Leica M9 and 24mm Summilux lens.

Bloomberg Building

Bloomberg Building

On this day one year ago: Porto Seguro, Brazil. This isn’t bad for a travel day. Maybe I should just stop whining about travel days make the most of them.

Porto Seguro Airport


Wednesday August 3, 2011

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NEW YORK, NEW YORK – While I was in Africa Phase One released a firmware update to the IQ 180 back that enables “live view”, the ability to view on the back’s lcd screen what the camera is seeing in real time. Live view is commonplace in consumer cameras, which use CMOS technology, but is difficult to implement in medium format cameras which use CCD technology. I downloaded the update and installed it and voila it worked. Live view is a boon to technical camera users because it permits composition on the back’s lcd monitor while using shifts. I set the back up on my Alpa Max with my 72mm Schneider Digitar and took the following out my window (with the back shifted up 15mm and to the right 17mm),

New York Rooftop

New York Rooftop

On this day last year: Trancoso at night.

Trancoso


Sunday July 17, 2011

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NEW YORK, NEW YORK – Back to New York – that was a genuinely quick trip to attend a wedding. Still a bit under the weather. Francesca noticed a quite cruddy looking rash on my legs and had nagged me to see a doctor, which I’ll do tomorrow morning.

I installed new firmware in my Hasselblad back. I did an out-my-window test, stitching two frames shifted to the left and the right on my Alpa Max, to see if the firmware cures the “centerfolding” issue that’s apparent when this back is used shifted on a technical camera. It didn’t – note the vertical line in the sky on the right side of the image:

Centerfolding

Centerfolding

On this day one year ago: fundraiser at the Litchfield Community Center.

Bruce


Wednesday July 13, 2011

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NEW YORK, NEW YORK – Back home from Boston. I actually feel almost fine for the first time in over a week. I grabbed my Leica M9 and a few lenses and headed out to explore the second section of the High Line that opened while we were in Italy. For some reason I was in the moment and “on” – some fairly good work after a week of blah. Here are some samples, all taken with my M9 and a 24mm Summilux lens.

The High Line Redux

The High Line Redux

Someone left a Post-it note on the High Line. It says, in lovely cursive script, “The most popular US pet name is ‘Max’.”

Postit on the High Line

Postit on the High Line

A perennial border:

High Line perennials

High Line perennials

On this day last year: Boston Bus Terminal.

Bus Station, Boston


Tuesday June 28, 2011

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NEW YORK NEW YORK – Our firm’s partners meet for lunch every Tuesday. I wouldn’t ordinarily photograph at one of these but this was a special occasion: it was the last lunch at which Rick Evans served as presiding partner, a role that he is retiring from after a record-setting 13 years of service. I sat across the table from my retired partner Andy Hartzell, who doesn’t make many of these because the conflict with the weekly “French table” at the Yale Club, which actually includes a French tutor. Anyway here’s Andy caught with my Leica M9 and a 50mm Summilux lens.

Andy Hartzell

Andy Hartzell

On this day one year ago: San Pablo del Lago


Monday June 27, 2011

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NEW YORK, NEW YORK – So I took the subway downtown to return the IQ 180 to Digital Transitions. They are on 35th just off of Fifth Avenue so this gave me a chance stalk one my favorite icons, the Empire State Building, in very interesting light with my Leica M9 and a 90mm lens. Three frames stitched.

Empire State Building

Empire State Building

On Fifth Avenue:

Fifth Avenue and 33rd Street

Fifth Avenue and 33rd Street

On this day last year: Festival


Friday June 24, 2011

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NEW YORK NEW YORK – I had the opportunity to borrow a demo Phase One IQ 180 digital back for the weekend. This is the latest and greatest in digital backs, with an 80 meg sensor and a sophisticated iPhone-like interface that makes it particularly well adapted for use on a tech camera. I’m considering trading my collection of Hasseblad gear for the IQ 180. After picking it up at Digital Transitions I got it set up my Alpa TC and went for a walk. Unfortunately the weather turned grim – as issue because these high end digital backs need a lot of light (or a sturdy tripod and a long exposure). I got as far as the Guggenheim Museum when it started to rain. Anyway, here is an early effort with it:

Guggenheim

Guggenheim

On this day last year: Quito Ecuador.


Wednesday June 22, 2011

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NEW YORK NEW YORK – Our friends Varya Gornostaeva and her husband, Sergei Parkhomenko, were in town from Moscow so we had a small dinner party for them in our kitchen. Varya has terrific English and Sergei very good French (as does Maria) so we had enough languages in common to communicate well. This is Sergei captured with my Leica M9 – this is less annoying than it looks because it was at the end of the meal and still mid-afternoon in Moscow.

Dinner in the kitchen

Dinner in the kitchen

On this day one year ago: A passport photo for Maria. This very clearly demonstrates that I really could make a living at photography, doing passport photos.

Maria

Maria


Tuesday June 21, 2011

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NEW YORK, NEW YORK – I’m experimenting with equipment again. This time with a 72mm Schneider Digitar on my Alpa TC. I’ve been shooting primarily with a 35mm Schneider with the camera. 72mm is the “normal” focal length for this camera. The question is whether it’s possible to hand hold this combination – the longer focal length requires shorter shutter speeds and the 60 meg digital back needs a lot of light and punishes minor errors in technique.

I took a walk on the High Line and things worked out very well. I brought back a dozen or so keepers and very few technical disasters. Here’s a view from the High Line:

From the High Line

From the High Line

On this day one year ago; East Village.

East Village