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NEW YORK NEW YORK – Out with my Leica and 90mm lens I caught this in the failing light.
On this day last year: 9-11 memorial.
NEW YORK NEW YORK – Out with my Leica and 90mm lens I caught this in the failing light.
On this day last year: 9-11 memorial.
NEW YORK NEW YORK – Out on the street on a bright day between meetings with my iPhone. This image has been altered; I took a number of images in rapid succession; I added the shadow to the image of the walking man.
On this day one year ago: snow drifts. This seems odd, now. This winter we haven’t had any real snow since the end of October.
NEW YORK NEW YORK – The day of the iPhone riot. A gallery of the Christmas Season images from midtown.
On this day one year ago: Bunny Beekman.
NEW YORK NEW YORK – Feeling better. I went about my business today carrying my iPhone and collecting images. This thing is addictive. I haven’t tried very hard to edit the day down – I present this as an iPhone gallery. My reaction: “get a grip, Campbell.”
First an image that was not taken on December 19 – I’m posting this on Christmas Day so I thought I should share a Christmas greeting. The front of our house grunged up with an app called “plastic bullet”.
1185 Park with a tilt shift app that create an impression of very narrow depth of field, making everything look like toys.
A panorama stitched (defectively – there’s still a reason for these big cameras) from three frames.
More street.
Literally a picture of the street.
On this day last year: Chuck Klein.
NEW YOEK NEW YORK – I spent some time this afternoon at Yancey Richardson looking at photographs, primarily by Andrew Moore. The experience was energizing. When I started this daily photo effort over two years ago I expected that a number of longer term projects would emerge. Looking at Andrew’s work and paging back through mine I’ve decided to push on the churches of Litchfield County project. I see a couple of phases, starting with taking an inventory of facades, making high quality prints as a means to get closer to the ministers/rectors/priests, doing more in depth studies (which I’ve only done at the Washington Congregational Church at this point), teasing out the narrative (which I have some ideas on but need further work to refine) and then more follow through studies.
But today I’m not in Litchfield County so I point my Alpa Max out our window into good light. I’m working to achieve technical mastery with this tool – it’s the key to creating the kinds of images that I’m looking for in Litchfield County. By “technical mastery” I mean that my hands do the right things without an need to think about anything but composition.
On this date one year ago: Urban landscape.
MEW YORK NEW YORK – Well here I am outside the headquarters of the Russian Orthodox Church Outside of Russia. I’ve written a couple of other posts on this subject: August 24, 2011 and November 24, 2010. I’m standing here because this is the only place within blocks where any sunlight is hitting the street. I loaded a bunch of camera apps on my iPhone and went looking for a scene with a long dynamic range and some bricks to test the apps. Here’s the one taken with an app called Pro HDR, which takes two images at different exposures and combines them in a “high dynamic range” images. The HDR feature is only so-so. Without a tripod the camera moves between shots. The app compensates for movement but the image appears less sharp than a non HDR image. It does give you the two exposures, though so you have a choice of which to use – here I used the under-exposed shot.
So the iPhone camera is working well for me. We’re planning a trip to DC this weekend. I’m taking the iPhone as my only camera.
On this day last year: shot with very cool wide angle lens.
NEW YORK NEW YORK – Well here I am working with the iPhone again. I really like this thing as a camera. This is taken in our office and surprisingly the iPhone handles the color of the chairs (called “paprika” by the decorator) and the mixed lighting.
On this day last year: má pêche.
NEW YORK NEW YORK – It poured all day. I walked from 56th Street to 27th Street on the East Side with my Leica and a 35mm Summilux Asph. II lens. The first image is a stitch of three frames. Both are taken at f 1.4, which severely limits depth of field (in general a good thing and one of the reasons to own this lens).
On this day last year: Waling to the office.
NEW YORK NEW YORK – Back at it in the office with a number of pressing projects. I often stop at Citicorp Center to see what’s going on, visually. This is a four frame stitch with my Leica M9 and a 35mm Summilux Asp. II lens, shot at f 1.4.
On this day one year ago: Another building in New Preston Connecticut.
NEW YORK, NEW YORK – From a shopping point of view today was the run up to Thanksgiving. I spent most of the day shopping for food in anticipation of an onslaught of family and friends in Connecticut. I captured this with my Leica and a 12mm Voigtlander lens while crossing 86th Street to go to Fairway.
On this day one year ago: The Guggenheim Museum. One of my better takes on a local icon that I struggle with.
NEW YORK NEW YORK – We had dinner at Quatorze Bis with Richard Cohen and Kathy Robbins. Here’s Richard caught with my Ricoh GRD IV.
On this day one year ago: monumental oak.
NEW YORK NEW YORK – I ran into a moment of lovely light on East 96th Street. Captured with my Ricoh GRD IV.
On this day one year ago: Henry Moore at Columbia.
NEW YORK NEW YORK – Back home. I carried my little Ricoh GRD IV through the day, catching autumn foliage ending up on the sidewalk, and a new installation at Lever House, a salt water aquarium and plants by Paula Hayes. Very cool. Worth a look.
On this day last year: on the Acela.
NEW YORK NEW YORK – At the beginning of a very busy week my firm gave a party for me and one of my partners at the Four Seasons Restaurant here. I won’t say, here at least, what the event was celebrating. I carried my Rikoh but was distracted from photography. I managed to take this looking up from the bar before things got into full swing. I’ve included a shot that Francesca took of me speaking just to document that there was a party.
On this day one year ago: Washington Congregational Church.
NEW YORK NEW YORK – We had dinner with some friends at Pino Luongo’s new restaurant, Morso. The “we” in this case is the editorial me; Maria is in Brazil on business. Taken with my ever ready Ricoh GRD IV.
As promised I’m stopping with the self portraits. I’m expecting traffic to skyrocket. That means I’m going back to “On this day one year ago . . .” Too bad that on this day one year ago I did a pretty pedestrian shot out my window. Note that a year ago I was whining about being busy. November is a tough month. Anyway . . . .
On this day one year ago: Out my window.
NEW YORK NEW YORK – This is a very busy time for me. Barely time to meet simple physical needs, let alone photograph. I did make it out to Fairway to buy groceries. Taken with m Ricoh GRD IV, my constant companion during this period. As you will see I don’t excel at “street”, even with the street shooter’s favorite camera in my hand.
Back to my self portrait series. I experimented with what I looked like at various resolutions. Here is one of the February 14, 1999 self portraits, shot on an 8×10 Arca Swiss. In this version I’ve reduced the resolution to four pixels by four pixels.
NEW YORK, NEW YORK – I took a break between meetings today to get out into the street with my Ricoh GRD IV. This is a stitch of three images.
Let’s continue the ongoing saga of variations on self. It’s 24 slivers just as in yesterday’s image but I’ve blended them into a continuous image and trimmed off the stuff on the top and the bottom that didn’t blend well. the scale on the bottom is a continuous 24-hour scale – as you read from left to right you get me later and later. The single shot with glasses on results in a sliver of glasses on my nose.
NEW YORK NEW YORK – A pair of Bryan Hunt sculptures, Flume I and Flume II, have been installed on the island on Park Avenue between the Seagrams Building and the Racquet and Tennis Club. The look like gigantic gnarly metal cobras. Here’s one of them, captured with my ever-resent Ricoh GRD !V.
Continuing on the theme of variations on the 24 hour self portrait series here’s one where I sliced the images into 24 slivers, and built a composite with a sliver from the earliest time starting on the left and reading hour by hour as you move to the right.
NEW YORK NEW YORK – I’m taking a break from my new Rikoh GRD IV – in good light I find the Alpa, 35mm Schneider and Phase One IQ 180 back irresistible.
This from East 72nd Street. It’s a bit surprising that this building’s coop board permitted air conditioning vents to be cut through the decorative limestone facade.
Here’s number 23. This is the penultimate image from my series of 24 hourly photos of myself taken on February 13 and 14, 1994. This one is from m12:00 noon on February 14. Once I’ve presented all 24 of these, over the next week or so I’ll show you some composites and collages assembled from them, starting Monday.
NEW YORK NEW YORK – More blahs. Today I had lunch at Harry Cipriani with Michele Parmigiani, a remarkable watchmaker who has a show of mechanical wonders that he has restored for the Sandoz foundation at A La Vieille Russie. Lunch was excellent and we were surrounded by fashionable Italians. Somehow out of all of this I couldn’t make a plausible photograph. Tonight was our James Beard Foundation annual Gala at Gustavino, a genuinely interesting space built into one of the approach ramps to the 59th Street Bridge. No photos worth taking up hard drive space. The best I could do for today is this safe view of a Manhattan facade. One of my objectives in my photo a day work is to capture the visual part of life from a privileged (in an artistic rather than economic sense) point of view. It may be that I’m just too wound up in practicing law and the Gala to relax and see the world around me. Still, one photo every day . . . .
Let’s see here, it’s Mr. Curley Hair again. Looking a little fresher at 9:00 after a night of fitful sleep interrupted by my hourly photo regime.
NEW YORK NEW YORK – I took a walk today in Central Park looking for storm damage with my Alpa TC and 35mm Schneider lens. The camera provoked a number of conversations. There were a lot of tree limbs down, but nothing very dramatic. I needed up shooting a pretty conventional rocks and trees image but the high resolution medium format files make it seem important:
I’ve taken this picture before, actually quite a few times. Here for example is an olive tree from the Pelopnnesian Peninsula taken in 1970 with my twin lens Rollei 2.8F. The tree was probably a couple of thousand years old when I shot it. I hope the intervening 40 years have been kinder to it than they have been to Greece in general.
Here we go with the “Its all about me” part of this post. I’m now actually embarrassed that I started out posting these things, but having started I need to finish. Here’s 7:01 AM on February 14, 1999.
NEW YORK NEW YORK – A great day for late fall light. I found myself at Columbus Circle with my Alpa. This was an easy day for me, photographically. The subway image prints at 24×36 nicely and has a vigor that I’m trying to achieve in every image, but actually don’t often realize.
So dear reader, here is my self-portrait from 3:58 AM on February 14, 1999. We’ll come to the end of these soon enough. I generally disapprove of blogs that feature pictures of their creators, but since we got off on the subject of appropriation in art in an earlier post I just thought it would be interesting to post my own examples.
NEW YORK NEW YORK – A very wet day. I went out in the rain with my Leica and a 35mm pre-ASPH version IV Summicron lens, known as the bokeh king. (Here is Ashwin Rao’s terrific article on bokeh). “Bokeh” for you non lens nuts is the causality of the out of focus image; good bokeh is creamy with smooth transitions between in-focus and out of focus areas; bad bokeh is crunchy with abrupt transitions between in-focus and out of focus. Modern highly corrected designs tend to have poor bokeh; older designs tend to have good bokeh.
From 3:03 AM on February 14, 1999.
NNEW YORK NEW YORK – So I’m using my Alpa and a 35mm Schneider as my walk-around camera. This only works on sunny days – I’m a sunny day kind of guy so I prefer these anyway. Here’s in image from Madison Avenue and 55th Street
Here’s the next in my series of 24 self portraits taken in 1999. This is from 12:58 AM on February 14, 1999. I slept on a cot in my studio, setting an alarm to wake my hourly for a picture. I clearly haven’t been to sleep on yet because I still look fairly well put together.
NEW YORK NEW YORK – I explored downtown with my Leica after some meetings today. Here’s the Old Equitable Building, Thames Street, a block from the Occupy Wall Street protests. Taken with my Leica M9 and 90mm lens. Four frames stitched.
Here’s my self portrait from 7:03 PM on February 13, 1999:
NEW YORK NEW YORK – Another day on the street with my Alpa TC and 35mm Schneider lens. The Bull and Bear on Lexington Avenue in the 50s.
The next in a series of 24 self-portraits taken on February 13, 1999 with an Arca Swiss 8×10 view camera.
NEW YORK, NEW YORK – We took a walk today in the West 20s shooting an Alp TC and 3mm Schneider lens.

129 West 22nd Street Condominium

Zen Bikes
On this day last year: Early fall in Connecticut.

Terry Tanner's farmstand
NEW YORK NEW YORK – A heavy day of meetings. I managed to get outside with my Leica M9 and a Voigtlander 12mm lens to catch a few images on Lexington Avenue.

Todds
On this day last year: New Milford Connecticut
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Cramer and Anderson, law firm, New Milford
NEW YORK NEW YORK – I took my Leica to the office today and captured Ray Bari Pizza in pretty good light. In the late afternoon I was back uptown with my Alpa, a 47mm Schneider XL lens, experimenting with a center filter on the lens. A Center filter is a glass filter that’s darker in the middle – it compensates for the natural light fall-off that wide lenses have, but requires increased exposure. I found that the necessary 2 stop increase in exposure made the Alpa much harder to hand hold so when I need the center filter I also need a tripod.

Master Tutor and Homework Coach

Ray Bari Pizza
On this day last year: Second Avenue Subway construction.

Second Avenue Subway
NEW YORK NEW YORK – More rain. Really. A lot of rain. I walked around with my Leica and a 90mm lens looking for rain themes. The Leica isn’t billed as being “weatherproof” but it does tolerate the rain, especially if you sheild it with a coat or your body when you’re not shooting. A couple of examples:

Rain

Exit
On this day last year: Andy Berkman.

Andy
