Monday October 31, 2011

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NEW YORK NEW YORK – I took a walk today in Central Park looking for storm damage with my Alpa TC and 35mm Schneider lens. The camera provoked a number of conversations. There were a lot of tree limbs down, but nothing very dramatic. I needed up shooting a pretty conventional rocks and trees image but the high resolution medium format files make it seem important:

Central Park

Central Park

I’ve taken this picture before, actually quite a few times. Here for example is an olive tree from the Pelopnnesian Peninsula taken in 1970 with my twin lens Rollei 2.8F. The tree was probably a couple of thousand years old when I shot it. I hope the intervening 40 years have been kinder to it than they have been to Greece in general.

Olive tree 1970

Olive tree 1970

Here we go with the “Its all about me” part of this post. I’m now actually embarrassed that I started out posting these things, but having started I need to finish. Here’s 7:01 AM on February 14, 1999.

7:01 AM February 14, 1999

7:01 AM February 14, 1999

Friday October 7, 2011

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NEW YORK NEW YORK – I had amazing luck today. I went to the Guggenheim Museum with my daughter and a close friend of hers; we had lunch at The Wright (a restaurant located in the Guggenheim) and walked the Central Park reservoir. I’ve been trying to take a picture I like of the museum for two years; I finally got it. I’ve also being trying to take a picture of the reservoir with the west side skyline in the background, and tall grass/reeds the grows in spots around the reservoir in the foreground; I finally got it. Both taken with my Leica M9 and 24mm Summilux lens, more than justifying my affection for this combination.

Central Park Reservoir

Central Park Reservoir

Guggenheim

Guggenheim

On this day one year ago: the New School.

The New School

Wednesday August 24, 2011

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NEW YORK NEW YORK – I took my Alpa Max and a light tripod to Central Park to shoot with my Schneider 120mm lens. The Max and the !20 were a delight to use. On reviewing the results the light tripod was a disappointment – in the future I’m going to need to use a serious tripod with this lens. I’m fighting a battle with myself to avoid an overly composed look when working on a tripod, and generally loosing. Here’s an example:

Belvedere Castle

Belvedere Castle

On this day one year ago: Sunset on the Maasai Mara. I actually just posted this – I had taken the picture but hadn’t posted it in the confusion of pulling the Africa materials together.

Sunset

Sunset

Wednesday August 17, 2011

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NEW YORK NEW YORK – So what’s so technical about a “technical camera”. Here’s a link to last week’s post on my Alpa TC but it just looks unwieldy and it lacks a lot of things (autos focus and automatic exposure) that we take for granted on a pocket point and shoot.

First, what’s so technical about these things? Well last week’s Alpa TC is actually the little brother of the Alpa Max, a camera that permits the back and lens to be shifted relative to each other, and permits the lens to be titled relative to the plane of the sensor with longer focal length lenses. The ability to shift the lens upward to look up while keeping the camera level permits great flexibility in composition while keeping vertical lines properly parallel (if you tilt the camera up they appear to converge). Of course once you move into shifts you are committed to working on a tripod. In my setup composition is done through live view on the IQ 180′s lcd panel (live view is common in consumer cameras but for technical reasons is hard to implement in medium format digital backs). Working with the Alpa Max is fully the digital equivalent of working with a view camera and 4 x 5 film (the debate on the “quality” of film vs. digital ended a long time ago – on a resolution basis the IQ 180 is fully comparable to r=legacy 8 x 10 film, but the look is different).

Here’s the Max with the lens shifted upward relative to the back:

Alpa Max

Alpa Max

Alpa Max

Alpa Max

This setup (the tripod and the need to fiddle with a complex camera) forces one to work slowly. It leads to consciously “composed” work. Some of my best work is actually shot off-hand and intuitively. The challenge for me in working with a large camera is to keep the images interesting (getting them to be perfect is not that hard). The following capture with the Max has the character of thousands of other images captured with similar equipment. This bothers me a bit, but I suppose it shouldn’t – it’s really no different that the millions of “mom and pop at the beach” snapshots that all look the same except for who mom and pop are.

Central Park

Central Park

I’ve included a grayscale conversion of this image that further emphasizes how this method of capturing images nudges you in the direction of traditional landscape.

Central Park

Central Park

On this day last year: A travel day. A travel day last year, on our way to Nairobi and a date with some wildlife.

John and Nancy Novogrod

Monday August 15, 2011

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NEW YORK, NEW YORK – We had violent thunderstorms today. As it was starting to clear I took my AlpA TC, a 72mm Schneider XL and a light tripod to the roof of our building, and then to the Central Park Reservoir. The lurid colors are real. The fact that the landscape is soaking wet enhances colors in the brilliant light that followed the storm. The first color images is stitched from two separate images; the second color imagefrom five separate images.

Storm clouds

Storm clouds

After the storm

After the storm

After the storm

After the storm

On this day last year: Starbuck’s.

Starbuck's

Wednesday May 25, 2011

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NEW YORK, NEW YORK – I had a productive day walking from my office to our apartment via Central Park, so I’m posting multiple images; all taken with my Leica M9. Here is a sunbather on Sherman’s statue in the Plaza taken with my Leica and a 90mm lens.

General Sherman's statue in the Grand Army Plaza

General Sharman's statue in the Grand Army Plaza

The Metropolitan Club. Founded by JP Morgan for his steel baron clients who couldn’t get into the Union Club. Captures with my Leica and a 90mm lens.

The Metropolitan Club

The Metropolitan Club

A lazy summer afternoon shot in Central Park with my Leica and a 90mm lens.

A lazy summer afternoon

A lazy summer afternoon

Finally, the Metropolitan Museum. Three frames stitched shot with my Leica and a 35mm Summilux lens.

Metropolitan Museum

Metropolitan Museum

On this day last year: Party at Gus’s.

Collection

Friday May 13, 2011

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NEW YORK NEW YORK – We had a break in a long stretch of rainy weather and I had a break in a long stretch of around the clock meetings, so I walked up to the Conservatory Garden at 105th Street and Fifth Avenue. I’ve been here before with a camera. Gardens in bloom in the spring, while appealing to a photographer, haven’t really brought me to any artistic insights – I should probably stop doing this. But anyway, here’s the view of construction at Mount Sinai Medical Center from the Conservatory Garden taken with my Leica M9 and a 35mm Summicron v. IV lens (the Bokeh King).

Conservatory Garden

Conservatory Garden

On this day last year: great midtown light on the Seagrams Building.

Seagram Building

Friday April 8, 2011

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NEW YORK, NEW YORK – Still looking for Spring I took a walk today in the Conservatory Garden in Central Park. I actually found Spring here. A quote from Wikipedia:

The Conservatory Garden is the only formal garden in Central Park, New York City. Comprising 6 acres (24,000 m2), it takes its name from a conservatory that stood on the site from 1898 to 1934.,,The park’s head gardener used the glasshouses to harden hardwood cuttings for the park’s plantings. After the conservatory was torn down, the garden was designed by Gilmore D. Clarke, landscape architect for Robert Moses, with planting plans by M. Betty Sprout;[2] constructed and planted by WPA workers, it was opened to the public in 1937. . . . After the Second World War the garden had become neglected, and by the 1970s a wasteland. It was restored and partially replanted under the direction of horticulturist and urban landscape designer Lynden Miller, to reopen in June 1987. . . . The high-style mixed planting was the first to bring estate garden style to urban parks, part of the general renewal of Central Park under Elizabeth Barlow Rogers of the Central Park Conservancy.

This taken with my Leica M9 and a 24mm Summilux lens. I’ve used a crop of it for my banner.

Conservatory Garden

Conservatory Garden

On this day last year: Hydrangias.

Hydrangias

Hydrangias

Wednesday January 12, 2011

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NEW YORK, NEW YORK – I spent the morning in a snow-covered Central Park. A few interesting images. Here’s a view of the El Dorado, one of three large building on Central Park West built by Emory Roth (the others are the Beresford and the San Remo). This is a common angle on the building, across the Central Park Reservoir. Two frames taken with my Hasselblad H4D-60, with a 300 mm lens on a monopod. This is another example of how well this camera’s files convert to black and white.

El Dorado

El Dorado

On this day one year ago: From Bryant Park.

Prom Bryant Park