Saturday October 8, 2011

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WARREN CONNECTICUT – Twelve or so years ago I did a series of projects where i set a camera up on a tripod and took an image each hour over a 24-hour period. I generally used a 4×5 view camera, but also an 8×19 view camera and a 35mm (generally my Leica M7). I typically shot images that were set up to mimic a well known piece of art, “appropriating” the organization and subject matter. For example I did a 24 hour series at our pool in Connecticut and a Balinese statue after Jennifer Bartlett’s study of her pool in Italy. (See Jennifer Bartlett pool for example.) I stopped doing the 24 hour sequences after I went digital. The fact that you can put a digital camera on a tripod and set it to take a picture every hour made it too easy and took the life out of these projects;

Enter the Alpa and the Phase One IQ 180 back. The aesthetic is similar to 4×5 or 8×10 and it’s entirely manual – you really can’t automate taking a 24 hour sequence. So I decided to give a 24-hour project a try. No reference to any only other works of art – just a shot of a tree line at our place in Connecticut. I shot 24 images, one each hour from late afternoon October 8 through late afternoon October 9. I’m please with the results and have resolved a couple of technical issues, so I’m starting work on a serious series, again borrowing from a well-known work. Here’s the image from 5:57 PM (local time). My self-imposed rule is that all images need to be taken within 10 minutes plus or minus the hour. Precision (i.e. exactly on the hour) really isn’t possible because of the vagaries of cat napping and so on. I’m pleased with the results so I’m searching for a project with a fine arts referent. By the way, I’ve also included an image of the Alpa set up to capture the tree line.

Fall arrives in Connecticut

Fall arrives in Connecticut

Alpa Max

Alpa Max

On this day one year ago: Seagrams.

Seagrans Building

Sunday November 21, 2010

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WARREN CONNECTICUT – You’ve noticed by now that I’m experimenting with my superwide lens at extreme angles and extreme speeds. So far in this series the extreme angles have been in New York (and for that matter in the dark). Today I pushed forward to extreme angles in the countryside in daylight. Still interesting stuff.

Here’s one of a number of similar shots this afternoon from our woods. Note that the leaves are finally off of the trees so I’ve been relieved of the curse of beautiful fall foliage.

Monumental Oak

On this day last year: Washington Connecticut Congregational Church detail.

Congregational Meeting House, Washington CT

Saturday October 30, 2010

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WARREN, CONNECTICUT – We were plagued by another beautiful autumn day. Very hard to make good on my “no more fall foliage” pledge, but I caught a break midday, visiting the construction site of a house being built by my friend Doug Hamilton, who has a serious serial housebuilding habit. The Mustique construction gallery to the right is the result of a multi-year project documenting a house under construction by Doug in Mustique – he’s doing it again in Connecticut. Leica M9 with 15mm Voigtlander lens.

Construction site, Warren Connecticut

On this date one year ago: Chrysler Building at night

The Chrysler Building

Saturday October 23, 2010

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WARREN CONNECTICUT – I’m suffering under the curse of a long New England autumn. That’s right, I said curse. Since September 25 I’ve posted no fewer than ten images where the main subject is New England autumn. That’s a lot of yellow and orange foliage of really dubious artistic merit. It’s not like I can discern a development of a theme – the whole is less than the sum of its parts. Autumn is a bit like a sunset: it comes around periodically for all to see. It’s unlikely that I’m going to have a deep insight, a personal epiphany or add to the richness of human knowledge and experience by photographing brightly colored leaves. I promise not to do this any more, at least not without more of a theme and purpose. But . . . what I happen to have for October 23 are images of . . . fall foliage. Here you go with number 11:

Yup. It's Fall Foliage.

Leica M9 with 90mm Elmarit lens.

On this date one year ago i was shooting in infrared on a dull, rainy day in Oregon: October 23, 2009

Curry County Courthouse, Gold Beach, Oregon

Sunday October 17, 2010

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WARREN CONNECTICUT and BROOKLYN NEW YORK – We started out the day in Connecticut (with power restored) – photographed a neighbor’s cornfield in the rising sun. We drove back to New York to attend an engagement party for our son in Fort Hamilton, Brooklyn.

Cornfield; Leica M9 and 1954 Dual Range Summicron lens.

Cornfield

Fort Hamilton. Same equipment.

Alexander and Laura

On this date one year ago: October 17, 2009

Skyline Restaurant

Saturday October 16, 2010

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WARREN, CONNECTICUT – This is the first anniversary of my One Photo Every Day Blog. We’re in Connecticut (without electricity) and the fall foliage is if anything better than ever, so my photography this weekend is fixated on it. Here’s foliage in early morning light. Three frames stitched, taken with my Leica M9 and a 90 mm Elmarit lens.

Connecticut fall foliage

I’ve decided from this point on to experiment with putting in links to last year’s post from the same date:
On this date one year ago: October 16, 2009

My first post after a frustrating month sorting out blog technology was an image of the Jean DeBuffet sculpture at One Chase Manhattan Plaza.

Jean DuBuffet "Four Trees" One Chase Manhattan Plaza

Here are a couple of more from October 16, 2010 – since it’s my anniversary I’m giving myself a break from the editorial chore of sorting pictures down to one. We ran into an old friend, Lane Smith, at a book signing for his book, It’s a Book, at the Hickory Stick Bookstore in Washington, Connecticut Here are couple of links of interest: Lane’s video version of the It’s a Book, which ironically went viral. And Hickory Stick Bookshop. Shot with my Leica M9 and a 1954 50mm Dual Range Summicron.

Lane Smith book signing

Finally, more foliage. Leica M9 plus 35mm Summicron v. IV. Two frames stitched.

Connecticut Foliage

Monday October 11, 2010

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BRIDGEWATER CONNECTICUT – We played hooky on Columbus Day. This was a perfect Autumn day for our last boat ride of the season. We put our 1954 Chris Craft on Lake Lillinonah and spent the day cruising, picnicking and enjoying the fall colors. This from the boat.

Lake Lillinonah Connecticut

Leica M9 and 135mm APO-Telyt lens.

Sunday September 26, 2010

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WARREN CONNECTICUT – Well here’s where thing get tough from an editing point of view. I got out at sunrise on this sensational day. The foliage is sensational in the morning light – so I’m posting three images for today.

Here’s a local farm stand. Taken with my Leica M9 and a 28mm summicron lens. Two frames stitched in PTgui.

Terry Tanner's farmstand

Woods, take with my Leica M9 and a 90 mm elmarit lens:

Autumn woods in Connecticut

More woods. Same camera and lens. Three frames stitched.

Woods - autumn in Connecticut

Saturday September 25, 2010

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WARREN CONNECTICUT – Well autumn appears to be here – early this year – probably because it’s been extremely dry for the last six weeks (although it pouring as I write this). Here I’ve stitched six frames as a panorama. i’ll use this as a banner for the Daily Photo Blog if I ever get tired of the wildebeests and zebras. Taken with my Leica M9 and a 90 mm Elmarit lens.

Connecticut Foliage

Saturday, November 28, 2009

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WARREN, CONNECTICUT – At last a crisp, clear late fall day.  This is the sort of day that gives seasonal weather changes a good reputation.  After struggling against against murky light for most of the week.  I spent the afternoon in Litchfield having lunch and photographing the town.  Tomorrow is supposed to be clear so I’ll come back for sunrise.  Today’s posting is from a walk in the woods a little latter in the day.

Birches Warren, Connecticut

Birches Warren, Connecticut