TURKS AND CAICOS – I got bored with the beach today so I found myself without a picture fairly late in the day. Got this with my iPhone in a friend’s apartment complex. I’m showing it in the original color and translated into black and white.
Day 1,603 of one photo a day for the rest of my life.
On this day two years ago (day 871): Look up – a nice example.
NEW YORK NEW YORK – Today is a tale of a 75 year old lens, a 1937 85mm f2.0 Carl Zeiss Jena Sonnar. After some significant effort I have finally gotten it to work on my Leica M bodies. Here it is with the statue of Sherman on the Plaza. I’m struggling slightly trying to master this lens (everything is backward on it) so I also shot fog our our window with a conventional Leica 21mm lens to make sure that I got a shot for the day.
NEW YOEK NEW YORK – We went up to Columbia this evening to see an exhibit of the work of Irini Gonou, a talented Greek artist who uses fabric and small objects and text to create pinakes (the singular is pinex- πίναξ), votive tablets used by the ancient Greeks. Very nice. I also noticed a view out a window that reminded me of one of her compositions. Both taken with my Leica Monochrom and Luxochron lens.
VENICE – Day two at the Biannale. I did’t even consider breakfast at the Gritti so I foraged for a cafe near the Arsinale for some coffee and a pastry. For the Biannale the Arsinale has been divided into large museum-like rooms. Really interesting. So I spent the morning and early afternoon at the Arsenale, walked to the rail station (all of the way across Venice but actually not very far with Google maps guiding me in a straight line through the maze of winding streets and canals) and took the train back to Milan in time for a dinner party given by some friends. Some obligatory shots of Venice and then the Arsenale, all with my Leica Monochrom and 50mm Asph. lens.
Tourists were lined up 10 deep to photograph the Bridge of Sighs every time I passed it. This goes in my icons collection.
GLENS FALLS and SARATOGA SPRINGS NEW YORK – In Utah the 24th of July is a state holiday, celebrated sort of as a second Fourth of July. It commemorates the date on which Brigham Young arrived at the mouth of Immigration Canyon and said “This is the place”.
But we’re in upstate New York, not Utah, so no fireworks. We drove up to Glens Falls today to vist a lovely museum, the Hyde Collection. This is an excellent small collection of important European art assembled by two sisters in the early part of the 20th Century, and a terrific collection of Tiffany Glass. Apologies for the long post but this was an interesting day.
Here’s the central space in the collection captured with my Leica M9 and 24mm Summicron lens; two frames stitched in PTGui Pro.
The collection (which by itself was worth a drive up here) includes a current show by an artist named Stephen Knapp who does light painting creating colors with precisely shaped and oriented pieces of polarized glass. Taken with the same rig.
Back in Saratoga Springs I had some fun with my iPhone. Here’s a quilt in the Victorian pile of lumber that calls itself the Adelphi Hotel. It’s interesting because it is very similar to a quilt that we have in Connecticut – a quilt that we bought a church rummage sale and then spent a year and a fairly serious amount of money having restored. I’ll shoot it in Connecticut when we’re there next weekend and you’ll see the resemblance.
More fun with the iPhone in Saratoga:
Here’s a sculpture in Broadway (the main street) in Saratoga – I took this with my iPhone to be my screen backdrop in my iPhone – I got bored with gray.
As I said – this was a long day. Toward the end of the day I spent some time in Saratoga Spa State Park. In the 1930s the space facility was rebuilt on a grand scale (the scale of the complex reminds me of a Mayan temple complex at Monte Alban near Oaxaca). Good Depression era public works, but the scale is far larger than current demand so much of it appears to be in good condition but disused. Maria took a treatment, so I took some pictures with my ever-present Leica M9 and 24mm Summilux lens.
Moe of the same:
Enough of July 24 2012. On July 24, 2011: Hogmead. No kidding on the name. An inn in Nairobi.
MILAN ITALY – One last day of tourism in Italy. Maria has finished her meetings so she was able to join me visiting Villa Necchi, Pinacoteca di Brera and shopping on Via Spiga and Via Montenapoleone. One this is clear: these Milanese do design and retail like no one else.
So here are my captures for the day, tank with my Leica M9 and 24mm Lummilux lens.
On this day one year ago: a sick day. I’ve cropped this to be one of my favorite headers for this site.
NEW YORK NEW YORK – Where is Caravaggio? I’ve been asking myself this question recently. How will people judge us in 400 years (Caravaggio died in Porto Ercole in 1610)? How will they know who we are?
We got an insider’s tour of the Biennial at the Whitney Museum today. Many of the works are ephemeral – accurately reflecting the state of play in the art world today. None of this work will exist in 400 years, so how will people be able to judge us from our art? I’m an effing troglodyte to ask this question but so be it.
I had my Sony Nex-7 in hand with a 50mm Leica Summilux lens.
From a video by Werner Hertzog of works by Hercules Segers and of Ernst Reijseger playing the Cello.
KENT CONNECTICUT – I dropped by to see my friend Greg at RT Facts here, picking up a side table and a fixed stand for our fire pit. Greg is an antique dealer specializing in architectural debris, much of it very large. I got a new camera body: a Sony Nex-7, a very compact little item with 24 megs of resolution from a sensor that’s about 2/3 the size of a standard 35mm frame. The idea is that I would use it with my Leica lenses. (A lot of people think like this – this is why Leica lenses are currently sold out at every dealer in the world.) This is with the Nex-7 and 24mm Summilux lens – these look like they were removed on the demolition of a 1930’s Federal building.
NEW YORK NEW YORK – Back home. I carried my little Ricoh GRD IV through the day, catching autumn foliage ending up on the sidewalk, and a new installation at Lever House, a salt water aquarium and plants by Paula Hayes. Very cool. Worth a look.
NEW YORK NEW YORK – This is the second day of the annual James Beard Foundation food policy conference, held (as noted yesterday) this year at Hearst’s offices in New York. I spent the breaks giving myself a tour of the very good art collection on the floor where we held the conference. Here’s a view of a Chuck Close self-portrait and of a conference room both taken with my Leica. The Close work is important to me – a while back I appropriated it in one of my 24 hours projects – I posted a typical image from that project below.