Tuesday October 25, 2011

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NNEW YORK NEW YORK – So I’m using my Alpa and a 35mm Schneider as my walk-around camera. This only works on sunny days – I’m a sunny day kind of guy so I prefer these anyway. Here’s in image from Madison Avenue and 55th Street

Good light

Good light

Here’s the next in my series of 24 self portraits taken in 1999. This is from 12:58 AM on February 14, 1999. I slept on a cot in my studio, setting an alarm to wake my hourly for a picture. I clearly haven’t been to sleep on yet because I still look fairly well put together.

12:58 AM February 14, 1999

12:58 AM February 14, 1999


Friday October 21, 2011

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NEW YORK, NEW YORK – Today we did the sacred and profane on Fifth Avenue. Starting with the sacred I stopped by Marble Collegiate Church, the oldest Protestant congregation in North America and for decades the bully pulpit for Norman Vincent Peal. The Church has a “Payers for Peace” program. The congregation offers prayer for service men and women who have died in Central Asia during the week; yellow ribbons with the names of the departed are attached to the railing around the Church. Here’s a segment of the fence with a statue of Dr. Peal in the background. Images taken with my Leica M9 and a 24mm Summilux lens.

Marble Collegiate Church

Marble Collegiate Church

Now the profane. At the 42nd Street Library I spotted the following, which I couldn’t resist:

XXX rated at the Public Library

XXX rated at the Public Library

From my self portrait series taken hourly on February 13, 1999 the image from 8:52 PM. Taken with an Arca Swiss 8×10 view camera.


Thursday October 20, 2011

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NEW YORK NEW YORK -I read a glowing review of the World Trade Center Memorial in the New York Review of Books so I made a reservation and made the trek down there. It’s huge. The memorial is the foundations of the two towers – recessed (by 50 feet or so) pools where the foundations were. Water cascades down the four sides of the foundations holes to the pools. The water disappears into black square holes in the center of the pools. The falling theme is powerful given the context. The central hole evokes a grave. The names of all of the 9/11 victims were cut into the railing around the pools. The Memorial owes a lot to Maya Lin and at the same time is totally unique. Images taken with my Leica M9 and a 12mm Voigtlander lens and 24mm Summilux lens.

World Trade Center Memorial

World Trade Center Memorial

World Trade Center Memorial

World Trade Center Memorial

World Trade Center Memorial

World Trade Center Memorial

Another take on the Old Equitable Building taken with my Leica and a 24mm Summilux lens:

Old Equitable Building

Old Equitable Building

8:00 PM February 13, 1999 from my series of hourly self-portraits over a 24-hour period.

8:00 PM February 13, 1999

8:00 PM February 13, 1999


Wednesday October 19, 2011

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NEW YORK NEW YORK – I explored downtown with my Leica after some meetings today. Here’s the Old Equitable Building, Thames Street, a block from the Occupy Wall Street protests. Taken with my Leica M9 and 90mm lens. Four frames stitched.

Old Equitable Building, Thames St.

Old Equitable Building, Thames St.

Here’s my self portrait from 7:03 PM on February 13, 1999:


Friday October 7, 2011

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NEW YORK NEW YORK – I had amazing luck today. I went to the Guggenheim Museum with my daughter and a close friend of hers; we had lunch at The Wright (a restaurant located in the Guggenheim) and walked the Central Park reservoir. I’ve been trying to take a picture I like of the museum for two years; I finally got it. I’ve also being trying to take a picture of the reservoir with the west side skyline in the background, and tall grass/reeds the grows in spots around the reservoir in the foreground; I finally got it. Both taken with my Leica M9 and 24mm Summilux lens, more than justifying my affection for this combination.

Central Park Reservoir

Central Park Reservoir

Guggenheim

Guggenheim

On this day one year ago: the New School.

The New School


Wednesday October 5, 2011

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NEW YORK NEW YORK – I went today with a tripod and my large Alpa, the Alpa Max, to explore Riverside Park and the George Washington Bridge. My start was delayed by personal errand – by the time I got into things the golden light was gone and the light was rathe uninteresting. I’ve posted some examples anyway.

George Washington Bridge

George Washington Bridge

Riverside Park

Riverside Park

Riverside Park

Riverside Park

Riverside Park

Riverside Park

Riverside Park

Riverside Park

On this day one year ago: Lipstick.

Lipstick Building


Tuesday October 4, 2011

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NEW YORK NEW YORK – Francesca has a new hat. This and the Triborough Bridge shot at the golden hour (which is particularly golden this time of year) were shot with my Panasonic GH-2. This is my kit for snapshots and for long lenses.

Francesca has a new hat

Francesca has a new hat

Sunset

Sunset

On this day one year ago: kitchen reorganization.

Kitchen

Kitchen


Monday October 3, 2011

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NEW YORK NEW YORK – As you might expect this is an emotionally flat day for me after all of the excitement of the wedding. My mojo is elsewhere. It’s gone into hiding. I hope it’s not gone forever. But I threw my Alpa into a small bag and soldiered on. I caught this at Citicorp Center on my way to the office. Everyone is alone, facing away from everyone else. Everyone is an island. That’s what life is like sans mojo. A lucky shot. Odd how you can do well at something regardless of your state of mind by just doing it daily.

The Alpa (with an 80 meg medium format back) is very demanding of technique when used handheld. At 80 megs of resolution a bit of camera movement was plainly evident in this image. I down-rezed the file to 24 megs – the file size produced by a high end Canon or Nikon – and the jitters disappeared.

Citigroup

Citigroup

On this day last year: a fixer-upper.

[/captio a fixer-uppern].


Saturday September 24, 2011

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SHANGHAI – Back in Pudong for some images from the early morning. This is a travel day, usually a disaster for my photo-a-day project, but my departure time is a civilized noon, so I had time to get out in the good morning light before going to the airport.

Pudong at sunrise

Pudong at sunrise

Pudong at sunrise

Pudong at sunrise

Street art

Street art

20 hours later, but still Saturday, we’re back in Connecticut in time to catch a sunset with my Alpa:

Sunset in Connecticut

Sunset in Connecticut

On this day last year: Out my window. I’ve taken quite a few of these. I have to resolve to stop it. Or find a new window.

Out my window


Friday September 23, 2011

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SHANGHAI – We have mostly finished our meetings so we spent part of the day as tourists. We went to the Shanghai Museem – Maria and I had been here in April. The collection is good but a little disappointing given Shanghai’s stature. In April we photographed the stairwell – it was the second photograph in my post for April 19. Here’s a link – scroll down to the second photo. stairway in Shanghai Museum. I shot the stairway again, this time a close up of the dragon-motifed banister.

I got bored with the Museum so I took a walk in the neighboring People’s Square. There were young couples with a single child everywhere, a result of China’s one child policy. The Chinese say that single children have six parents (including four grandparents) so they are seriously doted-upon. See the image below.

Finally the Shanghai municipal government’s building is located on the People’s Square. it was finished in the 1990s. It is clearly meant to be imposing but only succeeds at being tedious – typical of civic architecture everywhere in the world.

All images taken with my Panasonic GH2 and 1 14-140mm zoom lens.

Stylized dragon

Stylized dragon

One Child Policy

One Child Policy

Government

Government

On this day last year: East 51st Street.

East 51st Street


Wednesday September 21, 2011

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SHANGHAI – We traveled yesterday to this remarkably photogenic city. We stayed on the Pudong side of the river at the Park Hyatt Shanghai, located on the upper floors of the Shanghai World Financial Center. From an architectural standpoint the SWFC (as it is known) is one of the better and more appealing super tall skyscrapers. I regretted not having my Alpa kit and the time to use it. Here’s what was possible with my Panasonic GH2.

SWFC

SWFC

SWFC and the moon

SWFC and the moon

Pudong

Pudong

Pudong

Pudong

On this day one year ago: Grand Central Terminal.

Grand Central Terminal -ramp from the lower level


Tuesday September 20, 2011

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HONG KONG – A long day of meetings. I managed a walk in the park in front of the Mandarin with my Panasonic GH2.

My personal workout includes a stretching and flexibility routine that draws on elements of yoga, dance and sports stuff but I could work full time for the next 10 years at it and I wouldn’t achieve the level of discipline that this woman has.

Lotus

Lotus

On this day last year: Tight crop on large lips in the East Village.


Sunday September 18, 2011

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HONG KONG – It’s been a few years since I’ve been in Hong Kong. You would have thought that central Hong Kong was built to it’s maximum density, but there’s a project to “reclaim” land from Victoria Harbor. This made the walk from our hotel (the Mandarin Oriental) to the Star Ferry to cross to Kowloon about 300 yards longer than it used to be – the ferry terminals have been moved. All images with my Panasonic GH2.

Landfill

Landfill

Shopping in Kowloon

Shopping in Kowloon

Housing

Housing

On this day last year: Tea at the V&A.

Victoria and Albert Museum


Friday September 9, 2011

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NEW YORK NEW YORK – I took my Leica to the office today and captured Ray Bari Pizza in pretty good light. In the late afternoon I was back uptown with my Alpa, a 47mm Schneider XL lens, experimenting with a center filter on the lens. A Center filter is a glass filter that’s darker in the middle – it compensates for the natural light fall-off that wide lenses have, but requires increased exposure. I found that the necessary 2 stop increase in exposure made the Alpa much harder to hand hold so when I need the center filter I also need a tripod.

Master Tutor and Homework Coach

Master Tutor and Homework Coach

Ray Bari Pizza

Ray Bari Pizza

On this day last year: Second Avenue Subway construction.

Second Avenue Subway


Wednesday September 7, 2011

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NEW YORK NEW YORK – More rain. Really. A lot of rain. I walked around with my Leica and a 90mm lens looking for rain themes. The Leica isn’t billed as being “weatherproof” but it does tolerate the rain, especially if you sheild it with a coat or your body when you’re not shooting. A couple of examples:

Rain

Rain

Exit

Exit

On this day last year: Andy Berkman.

Andy


Tuesday August 30, 2011

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NEW YORK NEW YORK – I walked around the Village this afternoon with my Alpa TC. There was wonderful Edward Hopper light – just enough haze to open up the shadows – the IQ 180 back’s color rendering actually got the light right. Here are a couple of examples:

August 29, 2011

The Village

August 29, 2011

Woody does Edward Hopper

On this day last year: Travel day. Yuck.

Out of Africa


Wednesday August 24, 2011

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NEW YORK NEW YORK – I took my Alpa Max and a light tripod to Central Park to shoot with my Schneider 120mm lens. The Max and the !20 were a delight to use. On reviewing the results the light tripod was a disappointment – in the future I’m going to need to use a serious tripod with this lens. I’m fighting a battle with myself to avoid an overly composed look when working on a tripod, and generally loosing. Here’s an example:

Belvedere Castle

Belvedere Castle

On this day one year ago: Sunset on the Maasai Mara. I actually just posted this – I had taken the picture but hadn’t posted it in the confusion of pulling the Africa materials together.

Sunset

Sunset


Tuesday August 23, 2011

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NEW YORK, NEW YORK – This afternoon I walked the Brooklyn Bridge from the Manhattan side. It was seriously crowded. I shot with my Alpa and the 72mm Schneider lens. Framing continues to be a challenge. Out of the 30 or 40 images I thought this was the best point of view, but it’s flawed because I didn’t recognize it at the time so I didn’t take the time to wait for the optimum moment in terms of the pedestrians. Near misses for me two days in a row. Here it is:

Brooklyn Bridge

Brooklyn Bridge

On this day last year: wildebeest migration. I had so many images that I did three posts for the day. Here’s a crocodile killing a zebra.

Zebra kill


Monday August 22, 2011

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NEW YORK, NEW YORK – I walked to the office today with my Alpa and the 72mm Schneider Digitar. I’m experimenting to see if it’s possible to hand hold the camera with this lens. (Longer lenses are more demanding in terms of camera movement than shorter lenses.) The light was just ok. There’s a no name spec building at the Northwest corner of 57th street and Lexington Avenue. I played around with the plaza in front of it, and finally realized that the shot for the day was looking straight up. You’ll see that the framing would have been better if I had included the full circle on the sides of the frame. The Alpa finder is kind of approximate – based in this fairly disappointing experience I’ll be trying some of my Leica finders on the Alpa to see if I can get more accurate results.

Anyway . . .

Look up!

Look up!

On this day one year ago: Maasai village.

Maasai boys


Wednesday August 17, 2011

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NEW YORK NEW YORK – So what’s so technical about a “technical camera”. Here’s a link to last week’s post on my Alpa TC but it just looks unwieldy and it lacks a lot of things (autos focus and automatic exposure) that we take for granted on a pocket point and shoot.

First, what’s so technical about these things? Well last week’s Alpa TC is actually the little brother of the Alpa Max, a camera that permits the back and lens to be shifted relative to each other, and permits the lens to be titled relative to the plane of the sensor with longer focal length lenses. The ability to shift the lens upward to look up while keeping the camera level permits great flexibility in composition while keeping vertical lines properly parallel (if you tilt the camera up they appear to converge). Of course once you move into shifts you are committed to working on a tripod. In my setup composition is done through live view on the IQ 180′s lcd panel (live view is common in consumer cameras but for technical reasons is hard to implement in medium format digital backs). Working with the Alpa Max is fully the digital equivalent of working with a view camera and 4 x 5 film (the debate on the “quality” of film vs. digital ended a long time ago – on a resolution basis the IQ 180 is fully comparable to r=legacy 8 x 10 film, but the look is different).

Here’s the Max with the lens shifted upward relative to the back:

Alpa Max

Alpa Max

Alpa Max

Alpa Max

This setup (the tripod and the need to fiddle with a complex camera) forces one to work slowly. It leads to consciously “composed” work. Some of my best work is actually shot off-hand and intuitively. The challenge for me in working with a large camera is to keep the images interesting (getting them to be perfect is not that hard). The following capture with the Max has the character of thousands of other images captured with similar equipment. This bothers me a bit, but I suppose it shouldn’t – it’s really no different that the millions of “mom and pop at the beach” snapshots that all look the same except for who mom and pop are.

Central Park

Central Park

I’ve included a grayscale conversion of this image that further emphasizes how this method of capturing images nudges you in the direction of traditional landscape.

Central Park

Central Park

On this day last year: A travel day. A travel day last year, on our way to Nairobi and a date with some wildlife.

John and Nancy Novogrod


Tuesday August 16, 2011

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NEW YORK, NEW YORK – I spent the day with my Leica with my 12mm Voigtlander lens attached. That’s right, 12mm on a full frame camera. This lens is really, really wide. Int’s a miracle that it even forms an image. You don’t need a viewfinder – just assume that it gets everything. What’s in focus? Everything, because of the extreme depth of field. I put a small level on the camera when I use this lens – if it’s only slightly off level vertical lines converge wildly because of the extreme wide angle perspective. This lens has a serious issue on a digital camera: there are wild color casts across the frame, and there are two plus stops of “cosine vignetting”, light fall off toward the edge of the frame. I’ve learned how to solve this problem with my Alpa – that’w why I reached for this lens.

Anyway, here you go:

Flatiron Building

Flatiron Building

Vase

Vase

On this day last year: Landscape

Warren, Connecticut Woods


Monday August 15, 2011

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NEW YORK, NEW YORK – We had violent thunderstorms today. As it was starting to clear I took my AlpA TC, a 72mm Schneider XL and a light tripod to the roof of our building, and then to the Central Park Reservoir. The lurid colors are real. The fact that the landscape is soaking wet enhances colors in the brilliant light that followed the storm. The first color images is stitched from two separate images; the second color imagefrom five separate images.

Storm clouds

Storm clouds

After the storm

After the storm

After the storm

After the storm

On this day last year: Starbuck’s.

Starbuck's


Sunday August 14, 2011

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NEW YORK, NEW YORK – It poured rain all day. Given the weather we had decided to stay in New York for the weekend. I didn’t get out except to walk the dog. There was no one on the streets of Cargegie Hill, our neighborhood. What do you do on a rainy Sunday? Well I spent the better part of the day updating my website with a slightly new look and much better and more flexible software.

I took my Leica out while walking the dog. The camera is a 1954 design and weather sealed cameras weren’t in the picture then (modern high end designs from Nikon and Canon are completely weather proof – I’ve taken them into the shower to clean them off after they were splashed with ocean spray). But the machining tolerances on the Leica are very tight so it’s sort of weather resistant, but you have to use common sense.

A shot a bunch of rainswept streets and a few pedestrians with umbrellas. The best of a fairly poor lot was of the Synod of the Russian Orthodox Church Outside of Russia. Here’w what I said about it on November 24, 2010:

This building was originally built as a residence for George F. Baker Jr. by Delano & Aldrich, the firm that became the ‘society architects” in New York after Stanford White’s murder in 1906. The Russian Orthodox Church Outside of Russia is a splinter of the Russian Orthodox Church formed after the Bolshevik Revolution – it is now reconciled with the main body of the Russian Church.

Taken with my Leica M9 and a 50mm Summilux lens. Two frames stitched in Photoshop.

Rainy day

Rainy day

On this day one year ago: Water skiing on Lake Waramaug.

Lake Waramaug