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NEW YORK, NEW YORK — Another day of terrible weather, so back to Grand Central Terminal to work inside.

Grand Central Terminal
NEW YORK, NEW YORK — Another day of terrible weather, so back to Grand Central Terminal to work inside.

Grand Central Terminal
NEW YORK, NEW YORK – Grand Central Terminal. My new favorite rainy day place to photograph. I’ll be studying this over the next few months. Another icon.

Grand Central Terminal
WARREN, CONNECTICUT – Emmet Gowin, Nancy, Danville Virginia, 1969. Nancy is now 47 or so – probably just starting to experience hot flashes. The physics of how photos freeze time is well understood, but odd, nonetheless.

Emmet Gowin, Nancy, Granville Virginia, 1969
NEW YORK, NEW YORK – In the morning at Lever House on Park Avenue.

Lever House
NEW YORK, NEW YORK – Back home. Once again the weather is cold and wet. This is my second try of a post for this date. The first was a personal memorial for a 24-year-old woman who was evidently killed when her bicycle was hit by a car – it was moving in person but not a good photograph. On March 26 I took it down and replaced it with this image, also taken on March 23, of the Chrysler Building from a long ways away (just north of the UN), which I think is more interesting.

Chrysler Building from the far East Side
WASHINGTON, D.C. – In Washington for a food policy conference. I spent the morning exploring the Lincoln Memorial end of the Mall, including an emotional hour at the Vietnam Veterans Memorial. Captured in infrared.

Vietnam Veterans Memorial
NEW YORK, NEW YORK – Madison Square at night.

Madison Square and the Shake Shack
NEW YORK, NEW YORK – Back to a favorite subject: New York in infrared. There were many interesting images from today. Here’s a sample.

Racquet and Tennis Club
NEW YORK, NEW YORK – A perfect winter day. I spent a good part of the day in the 30s and 40s in Manhattan with my Leica M8 and infrared filters. This was an opportunity to stalk one of my favorite subjects: the Chrylser Building. A very productive day with some interesting experiments with out of focus images. I’ve taken the liberty of posting two outtakes in a comment.

Chrysler Building
NEW YORK, NEW YORK – Here we are stalking the Empire State Building. This fits into my ongoing project of photographing iconic places and things, trying to capture the surprise of coming upon them for the first time. Click on Landscape Galleries on the right and then the “Manhattan I” gallery for more examples of stalking the Empire State and Chrysler buildings.

Empire State
BROOKLYN, NEW YORK – I drove to Brooklyn Heights this afternoon to drop a print off with a friend and client. While there I retraced my steps from last week but this time shot infrared as is my style in capturing icons. (Shooting with a Leica M8.2 which is suffers from infrared sensitivity, but this is an advantage if you are shooting with an infrared filter.)
This is my two month anniversary of this blog.
NEW YORK, NEW YORK – Today I went to Brooklyn to explore the Brooklyn Bridge from the east. The Brooklyn Bridge is an icon. My objective in my icons work is to sneak up on the subject from an unusual angle, approaching it as if it had never been seen before. This isn’t always successful, but here’s today’s attempt. This was at mid-day – it would be far more interesting in early morning light. To be explored further.
Yesterday and today I had a rare moment of self-doubt. Why am I doing this? In the end I’m a landscape photographer – some of my work looks architectural because I live (for most of the week) in an urban landscape. My formal portraits are fine but I don’t seek that work out. My street work is pedestrian. I was really struggling last night a Lincoln Center – finally settling on the fountain centered on the Metropolitan Opera.
You’ve heard of Rembrandt and Vermeer and probably Frans Hals. They painted people (primarily in historical settings) in 17th Century Holland – the “golden era of Dutch painting”. It’s less likely that you’ve heard of Aelbert Cuyp or Jacob van Ruisdael. They painted landscape in the same era. The Wikipedia entry on the golden era says “landscapists were the ‘common Infantry foottmen in the Army of Art’” citing Samuel van Hoogstraten for the quote. Citiscapes ranked even lower.
Anyway, here’s today’s view of the Brooklyn Bridge.
NEW YORK, NEW YORK – Today I worked on a long-running project – photographing iconic structures. I’ve been putting off the Brooklyn Bride for some time – John Roebling’s masterpiece is a truly intimidating subject. The light was dull so this is not a day for great art, but for exploring angles and pedestrian approaches in a part of Manhattan that is dominated by on and off ramps. The plan as always is to sneak up on on the icon, rather than confront it frontally. I plan on exploring the Brooklyn side later in the week. If we have a decent sunrise or sunset in the next week I’ll try it in infrared.
NEW YORK, NEW YORK – This is a favorite subject of mine: Mies van der Rohe’s iconic Seagram building. You’ll see this building again on this blog. The space defined by the Seagram building, its plaza and the Racquet and Tennis Club across Park Avenue is one of the outstanding urban spaces in New York. This is from the balcony of the Racquet and Tennis Club. It’s about 5:30 PM so most offices are still illuminated.
Technically this image was stitched from four separate images shot with my Leica M9 and a 35 mm Summicron Asph. lens. Images were stitched with PTGui Pro software.
NEW YORK, NEW YORK – A tough day for photographs: meetings all morning followed by a large lunch in a dark restaurant. Ugly, gray light outside. Late in the day I found myself uptown near Frank Lloyd Wright’s Gugenheim Museum. I have an ongoing project shooting iconic buildings as if one happens upon them at random – the objective is to try to capture the surprise of seeing them for the first time. The Gugeneheim is iconic but it’s hard to “happen upon” it – it’s cut off from Central Park across Fifth Avenue by a wall, and it’s hemmed in on the other three sides by larger buildings and the Manhattan grid. I ended up shooting details, and got this as it was getting dark. Not my best work.
NEW YORK, NEW YORK – Looking back at the past week’s work I kept coming back to the cemetery in New Preston. I decided to try more images with large out-of-focus areas. Returning to Grand Central Terminal I reshot the phones with a Leica M9 and a 35mm Summicron pre-aspheric version IV lens – I’ll be using this for the next several days. This lens is known as the “bokeh king” – bokeh being a subjective view of the quality of the out of focus portions of the image.
NEW YORK, NEW YORK – I walked around Grand Central Terminal with a small sensor camera, a Ricoh GRD 3, using it as a sketchpad. I’ll come back and shoot infrared once I understand the site better. This is another architectural icon. I found myself gravitating toward details.
NEW YORK, NEW YORK – We had a lovely, clear late fall day today – unseasonably warm. This another installment in a long-term project: shooting iconic places. The challenge is to get past trite. This image is shot in infrared, which I use often in Manhattan. The image of 30 Rock may not be my best image of the day. One of the most difficult challenges in posting every day is self-editing under time pressure. It’s easy enough to find the three best, or the many non-keepers. But the final choice is difficult because it’s hard to sort out what the criteria are. For example, is there a narrative? Is it a problem to have churches on three consecutive days. Anyway, here’s 30 Rockefeller Plaza.
NEW YORK, NEW YORK – More work on icons, in this case the Chrysler Building at night. It turns out that this is a little early in the winter to shoot Manhattan at night. It looks best after the end of daylight savings time – it gets dark an hour earlier – so people are in their offices with their lights on.
I have a large ongoing project working with the problems of photographing iconic places. Go to Google Earth – this spot in Manhattan has hundreds of blue squares – images uploaded by Google Earth users. Sometimes point of view helps. I have better and worse days – the image a day discipline has its downsides.
